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Nov 092017
 

English Free download of the articles of Nemo-Online Vol. 4 No. 6 below (click for the pdf version on the corresponding title of each article).  Issue 6 of NEMO-Online and editorial will be available in hard copy and pdf with Issue 7 in Volume 4, November 2018. NEMO-Online Vol. 4 Nos. 6 & 7 call for papers was: Research groups CERMAA, ICONEA and IReMus are seeking papers for the sixth and seventh issues of NEMO. The theme, continued from the theme of NEMO-Online No. 5 (available here), is about ‘Musicology/Ethnomusicology: evolutions, problems, alternatives’. This call for papers is sustained for [more…]

Aug 272017
 

[Download links at the end] NEMO-Online is delighted to propose this new article on modality in a very different way than what we have been used to: it is based on the absence of modes in part of the Japanese honkyoku repertoire, while composition is ruled mainly by the tone-color of the sounds (we do not dare write “pitches”) emitted by the shakuhashu player, at least in Traditional composition. The article is written by Bruno Chikushin (his artist name) Deschênes, a musician and author of a book on the shakuhashi, himself a trained shakuhachi player. The aim of the article [more…]

 Posted by at 06:59
Aug 222017
 

[Download links at the end] (Adapted) excerpts from the article (Introduction): The insistence of Mainstream Western Archaeomusicology at force-fitting the Babylonian musical system into the Western model is one of the greatest oversights in the History of music. It came from the methodology (or rather of its absence) of certain Assyriologists and of their determination at spearheading “their discoveries” by means of unsuitable Western models. The manner in which Musical systems are constructed, whether consciously or not, are part of the culture of a people and must be unveiled with the utmost respect and without linkage to theories of later [more…]

 Posted by at 15:33
May 012017
 

[Download links for the article and the Power Point show at the end] Amine Beyhom’s article “A Hypothesis for the Elaboration of Heptatonic Scales”, originally entitled  “A New Hypothesis for the Elaboration of Heptatonic Scales and their Origins” and published (2010) in the proceedings of ICONEA 2008, has been emendated, updated and enriched, and is reissued for NEMO-Online Vol. 4 No. 6. New research since its first publication presented complementary and sometimes clarifying facts which, with the evolution of terminology (see Beyhom’s “Lexicon” in NEMO-Online Vol. 2 No. 2 – in French), makes it indispensable to publish this new edition. [more…]

Dec 112016
 

English NEMO-Online Vol. 4 Nos. 6 & 7 : Call for papers Research groups CERMAA, ICONEA and IReMus are seeking papers for the sixth and seventh issues of NEMO. The theme, continued from the theme of NEMO-Online No. 5 (available here), is about ‘Musicology/Ethnomusicology: evolutions, problems, alternatives’. We would like these issues of NEMO to continue the debate initiated in NEMO-Online No. 5 concerning the usefulness of the science, the problems raised due to powerful and contradictory non-scientific characteristics, and the alternatives which may be proposed. Papers to be sent both to Richard Dumbrill and Amine Beyhom and should follow [more…]

Dec 042016
 

(click on the title of each article for the corresponding pdf version / cliquer sur les titres des articles pour télécharger les pdf). The redaction of NEMO-Online is pleased to announce the reissue of NEMO-Online Vol. 1 No. 1 and NEMO-Online Vol. 2 No. 2&3 as individual articles / La rédaction de NEMO-Online a le plaisir d’annoncer une nouvelle édition de NEMO-Online Vol. 1 No. 1 et NEMO-Online Vol. 2 No. 2&3 en articles individuels. Reminder / Rappel: NEMO-Online Vol. 3 No. 4&5 / is available / est disponible (November 2016). NEMO-Online Vol. 1 No. 1 Reissue 2016/12 : (all pdf [more…]