English Click on this link to go to the payment page for NEMO No. 1 (Vol. 1) at the price of £20.00 for the whole volume (in pdf format). Table of contents: Erik MARCHAND : “Une musique modale de tradition populaire en Occident – Tribune”, NEMO-Online 1 1 |2012-11| p. 5–10. François PICARD : “Back to modality. Musical Modes Revisited”, NEMO-Online 1 1 |2012-11| p. 11–18. Markos SKOULIOS : “Modern theory and notation of Byzantine chanting tradition – A Near Eastern musicological perspective”, NEMO-Online 1 1 |2012-11| p. 19–38. Jacob OLLEY : “Modal diversity in early Ottoman music – The case of makâm Sabâ”, NEMO-Online 1 1 [more…]
NEMO-Online Vol. 4 Nos. 6&7 is now available in Hard copy printed version / NEMO-Online Vol. 4 nos 6&7 est désormais disponible en version imprimée brochée.
NEMO-Online Vol. 4 Nos. 6&7 is now available for downloading (download link below) / NEMO-Online Vol. 4 nos 6&7 est disponible pour téléchargement (lien ci-dessous). All pdf articles in this volume are available individually at http://nemo-online.org/articles and bookmarked for titles, subtitles and figures / tous les articles au format pdf de ce volume sont téléchargeables individuellement à http://nemo-online.org/articles et contiennent des marque-pages correspondant aux titres, sous-titres et figures. Note that minor changes in the layout may occur between individual articles and the binded volume, due to the harmonising of the layouts between No. 6 and No. 7 / Les changements [more…]
English [French translation below] NEMO-Online is delighted to propose this new article by Amine Beyhom on notational tools and graphical analyses of melody and rythm. Musical notation has been reputed as disqualified for the analysis of “Foreign” musics since – at least – the experiments of Charles Seeger with the Melograph. It is nevertheless still used as the main analytic – and teaching – tool for these musics in most researches in musicology, and today in the teaching of these musics in autochthonous conservatories. Seeger’s experiments brought at his time cutting-edge solutions – and alternatives – to score notation but, [more…]