English NEMO-Online is delighted to announce the publication of Amine Beyhom’s new article entitled: “Further Analyses from the VIAMAP”. The article is a sequel to two already published articles, “MAT for the VIAMAP” and “The Lost Art of Maqām”, with 4 new video analyses and two explanatory videos. [With this article and analyses, the author] has opened a completely novel way of scientific enquiry in musicology. Wim van der Meer Amine Beyhom: “Further Analyses from the VIAMAP,” Near Eastern Musicology Online 6 10 |2021-11(04)| p. 5–36. (updated) Additional material: Video Analysis no. 1 (YouTube publication) of a taqsīm (improvisation) by Kudsi [more…]
NEMO-Online Vol. 4 Nos. 6&7 is now available in Hard copy printed version / NEMO-Online Vol. 4 nos 6&7 est désormais disponible en version imprimée brochée.
NEMO-Online Vol. 4 Nos. 6&7 is now available for downloading (download link below) / NEMO-Online Vol. 4 nos 6&7 est disponible pour téléchargement (lien ci-dessous). All pdf articles in this volume are available individually at https://nemo-online.org/articles and bookmarked for titles, subtitles and figures / tous les articles au format pdf de ce volume sont téléchargeables individuellement à https://nemo-online.org/articles et contiennent des marque-pages correspondant aux titres, sous-titres et figures. Note that minor changes in the layout may occur between individual articles and the binded volume, due to the harmonising of the layouts between No. 6 and No. 7 / Les changements [more…]
English [French translation below] NEMO-Online is delighted to propose this new article by Amine Beyhom on notational tools and graphical analyses of melody and rythm. Musical notation has been reputed as disqualified for the analysis of “Foreign” musics since – at least – the experiments of Charles Seeger with the Melograph. It is nevertheless still used as the main analytic – and teaching – tool for these musics in most researches in musicology, and today in the teaching of these musics in autochthonous conservatories. Seeger’s experiments brought at his time cutting-edge solutions – and alternatives – to score notation but, [more…]