Nov 292014
 

Français Le Volume 1 (N° 1) de NEMO-Online est désormais accessible librement en téléchargement à cette adresse: https://nemo-online.org/wp-content/uploads/2014/11/NEMO-Vol.-1-N°1-130929-V.-1.01-LR.pdf.   English NEMO-Online, Volume 1 is now available for free dowloading at: https://nemo-online.org/wp-content/uploads/2014/11/NEMO-Vol.-1-N°1-130929-V.-1.01-LR.pdf.

Jun 022014
 

English Click on this link to go to the payment page for NEMO No. 1 (Vol. 1) at the price of £20.00 for the whole volume (in pdf format). Table of contents: Erik MARCHAND : “Une musique modale de tradition populaire en Occident – Tribune”, NEMO-Online 1 1 |2012-11| p. 5–10. François PICARD : “Back to modality. Musical Modes Revisited”, NEMO-Online 1 1 |2012-11| p. 11–18. Markos SKOULIOS : “Modern theory and notation of Byzantine chanting tradition – A Near Eastern musicological perspective”, NEMO-Online 1 1 |2012-11| p. 19–38. Jacob OLLEY : “Modal diversity in early Ottoman music – The case of makâm Sabâ”, NEMO-Online 1 1 [more…]

Oct 182012
 
NEMO-Online Vol. 1 No. 1 is available / Sortie de NEMO-Online Vol. 1 N° 1

English NEMO-Online Vol. 1 No. 1 is available The editorial Board of NEMO-Online is delighted to inform you that the first issue,  Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine Beyhom (Lebanon ; France). The editorial and the summary page are available online. The hard copy (Price = 40 €) will be distributed by Geuthner, France and downloadable from December 2013. Français Sortie de NEMO-Online Vol. 1 No. 1 La rédaction de [more…]

Sep 202011
 

NEMO-Online has published this new bibliography of Musical Scales, Acoustics, Temperament and Tuning. It is intended as a  complement to other specialized biographies also published by NEMO-Online, and is not exhaustive. It mainly includes references to ethnomusicological debates on the problematics  of the scale, instrumental tuning and  perception of  intervals. Music perception is temporarily restricted  to topics directly relevant to scale or temperament.