Turquie / Turkey

 

Bibliographie du Maqām : Turquie / Maqām Bibliography: Turkey

 

Écrits / Written documents

  1. Ágoston, Gábor and Bruce Alan Masters: Encyclopedia of the Ottoman Empire, Infobase Publishing (2009).
  2. Ahrens, Christian: Instrumentale Musikstile an der Osttürkischen Schwarzmeerküste : eine vergleichende Untersuchung der Spielpraxis von davul-zurna, kemence und tulum (1970).
  3. Ak, Ahmet Şahin: Türk musikı̂si tarihi, Akçağ (2002).
  4. Akşin, Sina: Essays in Ottoman-Turkish political history, Isis Press (2000).
  5. Aksoy, Bulent: “Is the Question of the ‘Origin of Turkish Music’ Not Redundant?”, Turkish Music Quarterly (1989), 1–7.
  6. Aksoy, Bulent: “Music: An Overview”.
  7. Aksüt, Sadun: Türk musikı̂sinin 100 bestekârı, İnkılâp Kitabevi (1993).
  8. Alpi, Frédéric: La route royale = ὁδὸς βασιλική = ܐܘܪܚܐ ܡܠܥܬܐ : Sévère d’Antioche et les églises d’Orient (512-518), Bibliothèque archéologique et historique, ISSN 0768-2506 ; 188 (2009).
  9. And, Metin: “The Turkish Folk Theatre”, Asian Folklore Studies (1979a) [doi:10.2307/1177688], 155-176.
  10. And, Metin: “Some Notes on Aspects and Functions of Turkish Folk Games”, The Journal of American Folklore (1979b) [doi:10.2307/538842], 44-64.
  11. Antep, Ersin: Türk bestecileri eser kayıt kaynakçası : çağdaş Türk muziği bestecilerinin eserlerinden oluşturulan CD, Makara bant ve Dat kayıt listesi (2005).
  12. Antep, Ersin: Türk bestecileri eser kataloğu: çağdaş Türk müziği bestecilerinin eserlerinden oluşturulmuş eser listesi, Sevda-Cenap And Müzik Vakfı (2006).
  13. Araci, E.: “Giuseppe Donizetti at the Ottoman Court: A Levantine Life”, The Musical Times (2002), 49–56.
  14. Arel, Hüseyin Sadettin: Türk mûsıkîsi kimindir?, Kültür Bakanlığı Yayinları [Texte Imprimé]. – Ankara : Kültür Bakanlıgı ; 865Kültür Bakanlığı Yayinları [Texte Imprimé]. – Ankara : Kültür Bakanlıgı ; 112 (1990).
  15. Arel, Hüseyin Sadettin and Onur Akdoğu: Türk mûsıkı̂si nazariyatı dersleri, Kaynak Eserleri Dizisi [Texte imprimé]. – Ankara : Kültür Bakanlıḡı ; 46Kültür Bakanlığı Yayinları [Texte Imprimé]. – Ankara : Kültür Bakanlıgı ; 1347 (1991).
  16. Arom, Simha: “L’aksak: Principes et typologie”, Cahiers de musiques traditionnelles (2004) [doi:10.2307/40240517], 11-48.
  17. Aslanapa, Oktay: “Türkische Miniaturmalerei am Hofe Mehmet des Eroberers in Istanbul”, Ars Orientalis (1954), 77-84.
  18. Ataman, Sadi Yaver: Atatürk ve Türk musıkisi, Atatürk Dizisi [Texte Imprimé]. – Ankara : Kültür ve Turizm Bakanlıḡı ; 31 (1991).
  19. Ayangil, Ruhi: “Western Notation in Turkish Music”, Journal of the Royal Asiatic Society (Third Series) (2008) [doi:10.1017/S1356186308008651], 401-447.
  20. Aydemir, Murat: Turkish music makam guide, Pan Yayıncılık (2010).
  21. Aydın, Yılmaz: Die Werke der Türkischen Fünf im Lichte der musikalischen Wechselbeziehungen zwischen der Türkei und Europa, Thesis (doctoral) – Universität, Köln, 2002 (2002).
  22. Aydın, Yılmaz: “La fondation de l’École nationale turque : le « groupe des cinq » turc”, Ed. Georges Kokkonis, Études balkaniques, Création musicale et nationalismes dans le Sud-Est européen (2007), 187-213.
  23. Bardakçı, Murat: Maragalı Abdülkadir, Pan (1986).
  24. Bardakçı, Murat (1955-): Fener beyleri’ne Türk şarkıları (1993).
  25. Bartók, Béla: Halk müziği hakkında Bela Bartok’un (3) konferansı, Ankara Halkevi Neşriyâtı [Texte imprimé]. – Ankara : Ulus Matbaası ; no. 8 (1937).
  26. Behar, Cem: “Transmission musicale et mémoire textuelle dans la musique classique ottomane/turque”, Revue du monde musulman et de la Méditerranée (1995) [doi:10.3406/remmm.1995.2612], 91-101.
  27. Behar, Cem: “Sources pour la démographie historique de l’empire ottoman: Les tahrirs (dénombrements) de 1885 et 1907”, Population (French Edition) (1998) [doi:10.2307/1534241], 161-177.
  28. Behar, Cem: “Neighborhood Nuptials: Islamic Personal Law and Local Customs: Marriage Records in a Mahalle of Traditional Istanbul (1864-1907)”, International Journal of Middle East Studies (2004), 537-559.
  29. Behar, Cem (1946-): Klasik Türk musıkisi üzerine denemeler, (İnceleme-araştirma ; 4) (1987).
  30. Behar, Cem (1946-): Ali Ufkî ve Mezmurlar, (Pan Yayıncılık ; 11) (1990).
  31. Behar, Cem (1946-): Zaman, mekân, müzik : Klasik Türk musıkisinde eĝitim (meşk), icra ve aktarım, Afa – Türkiye üzerine araştırmalar ; 14 (1993).
  32. Bektaş, Tolga: “Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music”, Asian Music (2005), 1-26.
  33. Belaiev, Victor and S. W. Pring: “Turkish Music”, The Musical Quarterly (1935), 356-367.
  34. Bellotto, Francesco: “Donizetti, Giuseppe”, Grove Music Online.
  35. Beza, Marcu: “The Roumanian Chroniclers”, The Slavonic and East European Review (1930), 124-132.
  36. Blake, W. and J.B. Holland: “The Chimney-Sweep”, The Complete Poetry and Prose of William Blake.
  37. Blum, Stephen, Dieter Christensen, and Amnon Shiloah: “Kurdish music”, Grove Music Online.
  38. Boltanski, L. and P. Bourdieu: “«Le titre et le poste: rapports entre le système de production et le système de reproduction»”, Actes de la recherche en sciences sociales (1975), 95–107.
  39. Bora, Tanil.: “Nationalist Discourses in Turkey”, The South Atlantic Quarterly (2003), 433-451.
  40. Borrel, Eugène: “La musique turque”, Revue de Musicologie (1922), 149-161.
  41. Borrel, Eugène: “La musique turque (Suite et fin). Les Oussouls”, Revue de Musicologie (1923a), 60-70.
  42. Borrel, Eugène: “La musique turque (Suite)”, Revue de Musicologie (1923b) [doi:10.2307/925512], 26-32.
  43. Borrel, Eugène: Contribution à la bibiliographie de la musique turque au XXe siècle (1928).
  44. Borrel, Eugène: “Raouf Yekta Béy. (1871-1935)”, Revue de Musicologie (1935), 64.
  45. Boulton, Laura: “Turkish Music”, Journal of the International Folk Music Council (1960) [doi:10.2307/835448], 83.
  46. Bowles, Edmund A. (Edmund Addison): “The impact of Turkish military bands on European court festivals in the 17th and 18th centuries”, Early Music (2006), 533-579.
  47. Bozkurt, Barıs: “An Automatic Pitch Analysis Method for Turkish Maqam Music”, Journal of New Music Research (2008) [doi:10.1080/09298210802259520], 1-13.
  48. Braïloiu, Constantin: “Le rythme Aksak”, Revue de Musicologie (1951) [doi:10.2307/926002], 71-108.
  49. Can, M. C: “Geleneksel T\ürk Sanat M\üziğinde Arel-Ezgi-Uzdilek Ses Sistemi ve Uygulamada Kullanılmayan Bazı Perdeler”, Gazi Eğitim Fak\ültesi Dergisi (2002), 175–81.
  50. Cantemir, Dimitri: “Kitāb-i ilmü’l mūsīkī ala vechi’l-hurūfāt” (Istanbul, c1700) [Manuscript].
  51. Cantemir, Dimitrie: The history of the growth and decay of the Othman empire …, Knapton (1735).
  52. Çelebi, Evliya and Henry George Farmer: Turkish instruments of music in the seventeenth century, Longwood Press (1976).
  53. Çelebi, Evliya, Orhan Şaik Gökyay, and Topkapı Sarayı Müzesi. Kütüphane: Evliya Çelebi Seyahatnâmesi: Topkapı Sarayı Bağdat 304 yazmasının transkripsiyonu, dizini, Yapı Kredi Yayınları Ltd. Şti. (1999).
  54. Cemil, Mesut and Unesco: Music in Turkey (1948).
  55. Çiçek, Kemal, Ercüment Kuran, Nejat Göyünç, and İlber Ortaylı: The Great Ottoman-Turkish Civilisation [sic]: Culture and arts, Yeni Türkiye (2000).
  56. Clair, Alexandrine St.: “A Forgotten Record of Turkish Exotica”, The Metropolitan Museum of Art Bulletin, New Series (1969) [doi:10.2307/3258361], 411-423.
  57. Cler, Jérôme: “Pour une théorie de l’aksak”, Revue de Musicologie (1994) [doi:10.2307/947054], 181-210.
  58. Cler, Jérôme: “Système musical, territoire : sur quelques processus d’imprégnation”, Revue du monde musulman et de la Méditerranée (1995) [doi:10.3406/remmm.1995.2613], 103-113.
  59. Cler, Jérôme: Musique et musiciens de villages en Turquie méridionale (région d’Acipayam et Cameli, Denizli), Thèse de doctorat (1998).
  60. Cler, Jérôme: Musiques de Turquie, Actes Sud (2000).
  61. Cler, Jérôme and Bruno Messina: “Musiques des minorités, musique mineure, tiers-musical”, Cahiers d’ethnomusicologie (2007), 243-271.
  62. Cooper, David and Kevin Dawe: The Mediterranean in music: critical perspectives, common concerns, cultural differences, Scarecrow Press (2005).
  63. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Section 6 Turkey” (2001a) [url: http://glnd.alexanderstreet.com/View/330532].
  64. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: From Empire to Republic: Vocal Style in Twentieth-Century Turkey” (2001b) [url: http://glnd.alexanderstreet.com/View/330545?printable].
  65. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Alevi Identity and Expressive Culture” (2001c) [url: http://glnd.alexanderstreet.com/View/330553].
  66. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Turkish Song Duel” (2001d) [url: http://glnd.alexanderstreet.com/View/330561].
  67. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Dance and Identity in Turkey” (2001e) [url: http://glnd.alexanderstreet.com/View/330570].
  68. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Section 8 Central Asia” (2001f) [url: http://glnd.alexanderstreet.com/View/330615].
  69. Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Central Asia: Overview” (2001g) [url: http://glnd.alexanderstreet.com/View/330616].
  70. Degirmenci, K.: “On the pursuit of a nation: The construction of folk and folk music in the founding decades of the Turkish Republic”, International Review of the Aesthetics and Sociology of Music (2006), 47–65.
  71. Van Deusen, Kira (1946-): Singing story, healing drum : shamans and storytellers of Turkic Siberia (2004).
  72. Dimitrie Cantemir (Voivode of Moldavia) (last): Divanul, Scriitori Români (1969).
  73. Dimitrie Cantemir (Voivode of Moldavia) (last) and Nicolas Tindal: The history of the growth and decay of the Othman empire …, J. J., and P. Knapton (1734).
  74. Dimitrie Cantemir (Voivode of Moldavia) and Yalçın Tura: Kitābu ʻilmi’l-mūsīḳī ʻalā vechi’l-ḥurūfāt, YKY (2001).
  75. Erdener, Yıldıray: The song contests of Turkish minstrels : improvised poetry sung to traditional music, Milman Parry studies in oral tradition (1995).
  76. Eren, Güler, Kemal Çiçek, Halil İnalcık, and Cem Oğuz: Osmanlı . 10, Kültür ve sanat (1999).
  77. Erguner, Ahmed Kudsî: Alla turca-Alla franca : Les enjeux de la musique turque (1990).
  78. Ergur, Ali and Yiğit Aydin: “Patterns of modernization in Turkish music as indicators of a changing society”, Musicae Scientiae (2006) [doi:10.1177/1029864906010001051], 89 -108.
  79. Erol, Ayhan: “Associative Structure in the Perception of Music: The Case of Turkish ‘Yanık’(scorched)”, Disiplinlerarası m\üzik araştırmaları dergisi (2007).
  80. Erol, Ayhan: “Understanding the Diversity of Islamic Identity in Turkey through Popular Music: The Global/Local Nexus”, Social Compass (2011) [doi:10.1177/0037768611406066], 187-202.
  81. Ertan, Deniz.: “Cycles and Peripheries: An Ottoman Kitâb el Edvâr”, Asian Music (2007) [doi:10.1353/amu.2007.0017], 31-60.
  82. Fachner, J.: “Wanderer between worlds–Anthropological perspectives on healing rituals and music”, Music Therapy Today (2007), 2.
  83. Farmer, Henry George: “Arabic Musical Manuscripts in the Bodleian Library”, Journal of the Royal Asiatic Society of Great Britain and Ireland (1925), 639-654.
  84. Farmer, Henry George: “Percussion and Petticoats”, Music & Letters (1950), 343-345.
  85. Feldman, Walter: “Cultural Authority and Authenticity in the Turkish Repertoire”, Asian Music (1990) [doi:10.2307/834291], 73-111.
  86. Feldman, Walter: “Ottoman Sources on the Development of the Taksîm”, Yearbook for Traditional Music (1993) [doi:10.2307/768680], 1-28.
  87. Feldman, Walter: Music of the Ottoman Court: makam, composition and the early Ottoman instrumental repertoire, VWB-Verlag für Wissenschaft und Bildung (Berlin, 1996).
  88. Feldman, Walter: “Garland Encyclopedia of World Music: Full Text: Snapshot: Ismail Dede Efendi” [url: http://glnd.alexanderstreet.com/View/330542].
  89. Feyzioğlu, N.: “M\üzİK MALZEMESİNİN OLUŞUM VE BİÇİMLENMESİNDE MATEMATİĞ’İN ROL\Ü/THE POSITION AND IMPORTANCE OF THE MATHEMATICS IN FORMATION OF THE MUSIC”, G\ÜZEL SANATLAR ENSTİT\ÜS\Ü DERGİSİ/JOURNAL OF INSTITUTE OF FINE ARTS (2010).
  90. Fonton, Charles (b, Cem (1946-) Behar, and Bibliothèque nationale (France): 18. yüzyılda Türk müziği : Şark musikisi (Avrupa musikisiyle karşılaştırmalı bir deneme), (Pan Yayıncılık ; 5) (1987).
  91. Fonton, Charles and E. Neubauer: Der Essai sur la musique orientale, Institute for the History of Arabic-Islamic Science at the Johann Wolfgang Goethe University (1999).
  92. Fracile, Nice: “The ‘Aksak’ Rhythm, a Distinctive Feature of the Balkan Folklore”, Studia Musicologica Academiae Scientiarum Hungaricae (2003), 197-210.
  93. Garfias, Robert: “Survivals of Turkish Characteristics in Romanian Musica Lautareasca”, Yearbook for Traditional Music (1981) [doi:10.2307/768360], 97-107.
  94. Gastoué, A.: “Notes sur l’orgue en Orient. A Propos de la Communication de M. M. Raghib”, Revue de Musicologie (1930) [doi:10.2307/926299], 19-21.
  95. Gluck, Robert J: “eSaz: a non-Western instrument in the context of a live electronic performance system”, Org. Sound (2005) [doi:10.1017/S1355771805000634], 21–29.
  96. Gokalp, Altan: “Une minorité chîite en Anatolie: les Alevî”, Annales. Histoire, Sciences Sociales (1980), 748-763.
  97. Greve, Martin (1961-): Die Europäisierung orientalischer Kunstmusik in der Türkei, Europäische Hochschulschriften. Reihe XXXVI, Musikwissenschaft ; Bd. 142 (1995).
  98. Hammarlund, Anders, Elisabeth Özdalga, and Svenska forskningsinstitutet i Istanbul: Sufism, music and society in Turkey and the Middle East : papers read at a conference held at the Swedish Research Institute in Istanbul, November 27-29, 1997, Transactions – Swedish Research Institute in Istanbul, ISSN 1100-0333 ; 10 (2001).
  99. Hatay, Mete and Rebecca Bryant: “The Jasmine Scent of Nicosia: Of Returns, Revolutions, and the Longing for Forbidden Pasts”, Journal of Modern Greek Studies (2008) [doi:10.1353/mgs.0.0032], 423-449.
  100. Hatiboğlu, Ahmet: Besteleriyle Yunus Emre ilâhîleri, Türkiye Diyanet Vakfı yayınları ; no. 111Türkiye Diyanet Vakfı yayınları. Kaynak eserler ; 9 (1993).
  101. Hickmann, Ellen, Ricardo Eichmann, Anne D Kilmer, and ICTM Study Group on Music Archaeology: Studien zur Musikarchäologie. III : Archäologie früher Klangerzeugung und Tonordnung : Vorträge des 2. Symposiums der Internationalen Studiengruppe Musikarchäologie im Kloster Michaelstein, 17.-23. September 2000 ; Musikarchäologie in der Ägäis und Anatolien : Vorträge des Internationalen Musikarchäologischen Kolloquiums des Deutschen Archäologischen Instituts (Istanbul) in Zusammenarbeit mit der ICTM-Study Group on Music Archaeology und dem Institut Français d’Archéologie (Istanbul), Mimar Sinan Universität, Istanbul, 12.-16. April 1993, Orient-Archäologie, ISSN 1434-162X ; 10 (2000).
  102. Husmann, Heinrich: “Echos und Makam. nach der Handschrift Leningrad, Öffentliche Bibliothek, gr. 127”, Archiv für Musikwissenschaft (1979) [doi:10.2307/930647], 237-253.
  103. Islam, Misbah: Decline of Muslim States and Societies, Xlibris Corporation (2008).
  104. Jackson, Maureen: “The Girl in the Tree: Gender, Istanbul Soundscapes, and Synagogue Song”, Jewish Social Studies (2010), 31-66.
  105. Jäger, Ralf Martin: Türkische Kunstmusik und ihre handschriftlichen Quellen aus dem 19. Jahrhundert, Schriften zur Musikwissenschaft aus Münster ; Bd. 7 (1996).
  106. Jansen, William H.: “Turkish Folklore: An Introduction”, The Journal of American Folklore (1961) [doi:10.2307/538258], 354-361.
  107. Karadeniz, M. Ekrem: Türk musikı̂sinin nazariye ve esasları, Türkiye İş Bankası Kültür Yayınları (1983).
  108. Karakayali, Nedim: “Two Assemblages of Cultural Transmission: Musicians, Political Actors and Educational Techniques in the Ottoman Empire and Western Europe”, Journal of Historical Sociology (2010) [doi:10.1111/j.1467-6443.2010.01377.x], 343-371.
  109. Karaomerlioglu, M. Asim: “The Village Institutes Experience in Turkey”, British Journal of Middle Eastern Studies (1998), 47-73.
  110. Karaosmanoglu, Kemal: Müzik Aritmetigi ve Dizi Kurami – Ders Notlari, Ytü Santas (Istanbul, n. d.).
  111. Kartomi, Margaret and Andrew D. McCredie: “Introduction: Musical Outcomes of Jewish Migration into Asia via the Northern and Southern Routes c. 1780-c. 1950”, Ethnomusicology Forum (2004), 3-20.
  112. Katanov, Nikolaj Fedorovič and Anatolij Vasilʹevič Prelovskij: Folʹklor saânskih tûrkov XIX veka : : iz sobraniâ N.F. Katanova, Duhovnoe nasledie narodov Sibiri (2003a).
  113. Katanov, Nikolaj Fedorovič and Anatolij Vasilʹevič Prelovskij: Folʹklor saânskih tûrkov XIX veka : : iz sobraniâ N.F. Katanova, Duhovnoe nasledie narodov Sibiri (2003b).
  114. Kentel, Frehat: La Société turque entre totalitarisme et d́émocratie : étude de la transformation des intellectuels révolutionnaires et islamistes, Thèse de doctorat (1989).
  115. Kitsikis, Dimitris: L’Empire ottoman, Presses universitaires de France (1985).
  116. Kler, Joseph: “Chants de nomades au pays des Ordos”, Oriens (1959) [doi:10.2307/1580194], 190-197.
  117. Kolmogorov, A.N.: “The local structure of turbulence in incompressible viscous fluid for very large Reynolds numbers”, In Dokl. Akad. Nauk SSSR (1941), 9–13.
  118. KUSC, D.: “POSITIVITY OF MUSIC AND RELIGION IN TURKEY1”, Narodna umjetnost (1997), 147.
  119. Kuttner, Fritz A. and Fredric Lieberman: “Preface [to Perspectives on Asian Music: Essays in Honor of Dr. Laurence E. R. Picken]”, Asian Music (1975).
  120. Letailleur, Erica, Jérôme Cler, and Université de Paris-Sorbonne: La musique alevie : tradition ou genre (2005).
  121. Lichtenwanger, William: “The Military Music of the Ottoman Turks”, Bulletin of the American Musicological Society (1948), 55-57.
  122. Locke, Ralph P.: “Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East”, 19th-Century Music (1998a), 20-53.
  123. Locke, Ralph P.: “Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East”, 19th-Century Music (1998b), 20-53.
  124. Magnarella, Paul J., Orhan Turkdogan, Nadia Abu Zahra, et al.: “The Development of Turkish Social Anthropology [and Comments and Reply]”, Current Anthropology (1976), 263-274.
  125. Malay, Mùrat and Tuğrul Karataş: Anatolian symphonic masterpieces (2008).
  126. Manoha, Colin, Jérôme Cler, and Université de Paris-Sorbonne: Tabahaniotika : chansons assises, musiques turco-crétoises et mélodies de passage (2009).
  127. Markoff, Irene: “The Ideology of Musical Practice and the Professional Turkish Folk Musician: Tempering the Creative Impulse”, Asian music (1990), 129–145.
  128. Martin, Robert and Charles Payne Glen, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1988).
  129. Martin, Robert and Glen Charles Payne, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1988).
  130. Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1989a).
  131. Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1989b).
  132. Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1989c).
  133. Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1990).
  134. Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Music department, University of Maryland (Baltimore County, 1991).
  135. Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Music department, University of Maryland (Baltimore County, 1992).
  136. Martini, Grégoire, Jérôme Cler, and Université de Paris-Sorbonne: Vièles de Turquie : histoire, organologie, techniques, terminologie et culture musicale (2004).
  137. Matyakubov, O. and H. Powers: “19th Century Khorezmian Tanbur Notation: Fixing Music in an Oral Tradition”, Yearbook for Traditional Music (1990), 29–35.
  138. Meyer, E.R.: “Turquerie and Eighteenth-Century Music”, Eighteenth-Century Studies (1974), 474–488.
  139. Migeon, Gaston: “Peintres-voyageurs en Turquie au XVIIIe siècle J.-B. Hilair”, Syria (1924), 254-256.
  140. Montagu, Jeremy, Armin Suppan, Wolfgang Suppan, et al.: “Military music”, Grove Music Online.
  141. Myres, John L.: “225. Second Congress of the Turkish Historical Society”, Man (1937), 194-195.
  142. Nandriş, Grigore: “The Beginnings of Slavonic Culture in the Roumanian Countries”, The Slavonic and East European Review (1946), 160-171.
  143. Navari, Leonora: The Ottoman World (1998).
  144. O’Connell, John Morgan: “Fine Art, Fine Music: Controlling Turkish Taste at the Fine Arts Academy in 1926”, Yearbook for Traditional Music (2000) [doi:10.2307/3185245], 117-142.
  145. O’Connell, John Morgan: “Review: Song Cycle: The Life and Death of the Turkish Gazel: A Review Essay”, Ethnomusicology (2003), pp. 399-414.
  146. O’Connell, John Morgan: “In the Time of Alaturka: Identifying Difference in Musical Discourse”, Ethnomusicology (2005), 177-205.
  147. O’Council, John Morgan: “Garland Encyclopedia of World Music: Full Text: Snapshot: Tanburī Cemīl Bey” (2001) [url: http://glnd.alexanderstreet.com/View/330533].
  148. Obelkevich, Mary Rowen: “Turkish Affect in the Land of the Sun King”, The Musical Quarterly (1977), 367-389.
  149. Oransay, G.: Die melodische Linie und der Begriff Makam der traditionellen türkischen Kunstmusik vom 15. bis zum 19. Jahrhundert (Ankara, 1966).
  150. Oransay, Gültekin: Das Tonsystem der türkei-türkischen Kunstmusik (1957).
  151. Oransay, Gültekin: Von der Türcken dölpischer Music, Südosteuropa-Verl.-Ges. (1962).
  152. Oransay, Gültekin: Die traditionelle türkische Kunstmusik, Küg-Veröffentlichung (1964a).
  153. Oransay, Gültekin: Ankaraner Beiträge zur Musikforschung in Erinnerung an Maragah Abdulkadir und Mahmut Ragip Gazimihâl, Küǧ-Veröffentlichung (1964b).
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Quelques enregistrements / A few recordings

  1. Anon.: Musique Soufi. 1, Chant des Derviches de Turquie : la cérémonie du Zikr (1978).
  2. Anon.: Musique Soufi. 2, Derviches tourneurs de Turquie : la cérémonie des Mevlevî (1981).
  3. Anon.: Turquie : musique soufi (1987).
  4. Anon.: Turquie : cérémonie des derviches Kadiri = Turkey : ceremony of the Kadiri dervishes (1989).
  5. Anon.: Les derviches de Turquie : musique soufi : Moyen-Orient = The Dervishes of Turquey : Sufi music : Middle-East (1994).
  6. Anon.: Turquie : archives de la musique turque. 2 = Turkey : archives of Turkish music. 2 (1995a).
  7. Anon.: Turquie : archives de la musique turque. 1 = Turkey : archives of Turkish music. 1 (1995b).
  8. Canakkaleli, Ibrahim, Fevzi Mizir, and Yusuf Gebzeli: Turkey : the sacred Coran : islamic chants ot he Ottoman Empire (2000).
  9. Cemirâni, Bijan, Hradcãny, and Buda: Balkanic jazz (2007).
  10. Çimenli, Fahreddin and Abdi Coskun: Turquie : l’art du tanbur ottoman = Turkey : the art of the Ottoman tanbur (1989).
  11. En Chordais: Grèce : musique d’Asie mineure et de Constantinople Greece : Music of Asia Minor and Constantinople (2010).
  12. Erguner, Kudsi: Turquie – Asik : chants d’amour et de sagesse d’Anatolie (1991).
  13. Erguner, Kudsi and L’ Ensemble de l’Armée de la République Turque: Les janissaires : musique martiale de l’Empire Ottoman = The janissaries (1990).
  14. Erguner, Kudsi, Suleyman Erguner, and The Erguner Brothers: Turkey : preludes to ceremonies of the whirling dervishes (2000).
  15. Eroǧlu, Musa, Arif Saǧ, and Henri (19. .- Lecomte: Turquie, musique instrumentale d’Anatolie = Turkey, instrumental music from Anatolia (20XX).
  16. Gheerbrant, Alain and Annick Le Gal: Turquie : voyages d’Alain Gheerbrant en Anatolie (1956-1957) (1985).
  17. Goulesco, Lida: Chant folkloriques tziganes (20XX).
  18. Reinhard, Ursula, Wolf Dietrich, and Kurt Reinhard: Turquie : musiques villageoises d’Anatolie = Turkey : Anatolian village music (1994).
  19. Sadak, Sami: La cérémonie des derviches de Konya The ceremony of the Konya dervishes (2009).
  20. Selçuk, Münir Nureddin: Turkish classical song master = Rénovateur du chant classique turc (2002).
  21. Sissoko, Mama and Buda: Fanfare tsigane de Thrace (200X).
  22. Tanrıkorur, Çinuçen: Turquie (1986).
  23. Teboul, Haroun: Roumi : spectacle enregistré au Théâtre Claude Lévi-Strauss le 16 janvier 2010 (2010).
  24. Uzel, Nezih (1938-. ..) and Kudsi Erguner: Turquie : musique soufie = Turkey : sufi music (2002).
  25. Uzel, Nezih and Kudsi Erguner: Turquie : musique soufie : ilâhî et nefes (1991).

 

 

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