Turquie / Turkey
Bibliographie du Maqām : Turquie / Maqām Bibliography: Turkey
Écrits / Written documents
- Ágoston, Gábor and Bruce Alan Masters: Encyclopedia of the Ottoman Empire, Infobase Publishing (2009).
- Ahrens, Christian: Instrumentale Musikstile an der Osttürkischen Schwarzmeerküste : eine vergleichende Untersuchung der Spielpraxis von davul-zurna, kemence und tulum (1970).
- Ak, Ahmet Şahin: Türk musikı̂si tarihi, Akçağ (2002).
- Akşin, Sina: Essays in Ottoman-Turkish political history, Isis Press (2000).
- Aksoy, Bulent: “Is the Question of the ‘Origin of Turkish Music’ Not Redundant?”, Turkish Music Quarterly (1989), 1–7.
- Aksoy, Bulent: “Music: An Overview”.
- Aksüt, Sadun: Türk musikı̂sinin 100 bestekârı, İnkılâp Kitabevi (1993).
- Alpi, Frédéric: La route royale = ὁδὸς βασιλική = ܐܘܪܚܐ ܡܠܥܬܐ : Sévère d’Antioche et les églises d’Orient (512-518), Bibliothèque archéologique et historique, ISSN 0768-2506 ; 188 (2009).
- And, Metin: “The Turkish Folk Theatre”, Asian Folklore Studies (1979a) [doi:10.2307/1177688], 155-176.
- And, Metin: “Some Notes on Aspects and Functions of Turkish Folk Games”, The Journal of American Folklore (1979b) [doi:10.2307/538842], 44-64.
- Antep, Ersin: Türk bestecileri eser kayıt kaynakçası : çağdaş Türk muziği bestecilerinin eserlerinden oluşturulan CD, Makara bant ve Dat kayıt listesi (2005).
- Antep, Ersin: Türk bestecileri eser kataloğu: çağdaş Türk müziği bestecilerinin eserlerinden oluşturulmuş eser listesi, Sevda-Cenap And Müzik Vakfı (2006).
- Araci, E.: “Giuseppe Donizetti at the Ottoman Court: A Levantine Life”, The Musical Times (2002), 49–56.
- Arel, Hüseyin Sadettin: Türk mûsıkîsi kimindir?, Kültür Bakanlığı Yayinları [Texte Imprimé]. – Ankara : Kültür Bakanlıgı ; 865Kültür Bakanlığı Yayinları [Texte Imprimé]. – Ankara : Kültür Bakanlıgı ; 112 (1990).
- Arel, Hüseyin Sadettin and Onur Akdoğu: Türk mûsıkı̂si nazariyatı dersleri, Kaynak Eserleri Dizisi [Texte imprimé]. – Ankara : Kültür Bakanlıḡı ; 46Kültür Bakanlığı Yayinları [Texte Imprimé]. – Ankara : Kültür Bakanlıgı ; 1347 (1991).
- Arom, Simha: “L’aksak: Principes et typologie”, Cahiers de musiques traditionnelles (2004) [doi:10.2307/40240517], 11-48.
- Aslanapa, Oktay: “Türkische Miniaturmalerei am Hofe Mehmet des Eroberers in Istanbul”, Ars Orientalis (1954), 77-84.
- Ataman, Sadi Yaver: Atatürk ve Türk musıkisi, Atatürk Dizisi [Texte Imprimé]. – Ankara : Kültür ve Turizm Bakanlıḡı ; 31 (1991).
- Ayangil, Ruhi: “Western Notation in Turkish Music”, Journal of the Royal Asiatic Society (Third Series) (2008) [doi:10.1017/S1356186308008651], 401-447.
- Aydemir, Murat: Turkish music makam guide, Pan Yayıncılık (2010).
- Aydın, Yılmaz: Die Werke der Türkischen Fünf im Lichte der musikalischen Wechselbeziehungen zwischen der Türkei und Europa, Thesis (doctoral) – Universität, Köln, 2002 (2002).
- Aydın, Yılmaz: “La fondation de l’École nationale turque : le « groupe des cinq » turc”, Ed. Georges Kokkonis, Études balkaniques, Création musicale et nationalismes dans le Sud-Est européen (2007), 187-213.
- Bardakçı, Murat: Maragalı Abdülkadir, Pan (1986).
- Bardakçı, Murat (1955-): Fener beyleri’ne Türk şarkıları (1993).
- Bartók, Béla: Halk müziği hakkında Bela Bartok’un (3) konferansı, Ankara Halkevi Neşriyâtı [Texte imprimé]. – Ankara : Ulus Matbaası ; no. 8 (1937).
- Behar, Cem: “Transmission musicale et mémoire textuelle dans la musique classique ottomane/turque”, Revue du monde musulman et de la Méditerranée (1995) [doi:10.3406/remmm.1995.2612], 91-101.
- Behar, Cem: “Sources pour la démographie historique de l’empire ottoman: Les tahrirs (dénombrements) de 1885 et 1907”, Population (French Edition) (1998) [doi:10.2307/1534241], 161-177.
- Behar, Cem: “Neighborhood Nuptials: Islamic Personal Law and Local Customs: Marriage Records in a Mahalle of Traditional Istanbul (1864-1907)”, International Journal of Middle East Studies (2004), 537-559.
- Behar, Cem (1946-): Klasik Türk musıkisi üzerine denemeler, (İnceleme-araştirma ; 4) (1987).
- Behar, Cem (1946-): Ali Ufkî ve Mezmurlar, (Pan Yayıncılık ; 11) (1990).
- Behar, Cem (1946-): Zaman, mekân, müzik : Klasik Türk musıkisinde eĝitim (meşk), icra ve aktarım, Afa – Türkiye üzerine araştırmalar ; 14 (1993).
- Bektaş, Tolga: “Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music”, Asian Music (2005), 1-26.
- Belaiev, Victor and S. W. Pring: “Turkish Music”, The Musical Quarterly (1935), 356-367.
- Bellotto, Francesco: “Donizetti, Giuseppe”, Grove Music Online.
- Beza, Marcu: “The Roumanian Chroniclers”, The Slavonic and East European Review (1930), 124-132.
- Blake, W. and J.B. Holland: “The Chimney-Sweep”, The Complete Poetry and Prose of William Blake.
- Blum, Stephen, Dieter Christensen, and Amnon Shiloah: “Kurdish music”, Grove Music Online.
- Boltanski, L. and P. Bourdieu: “«Le titre et le poste: rapports entre le système de production et le système de reproduction»”, Actes de la recherche en sciences sociales (1975), 95–107.
- Bora, Tanil.: “Nationalist Discourses in Turkey”, The South Atlantic Quarterly (2003), 433-451.
- Borrel, Eugène: “La musique turque”, Revue de Musicologie (1922), 149-161.
- Borrel, Eugène: “La musique turque (Suite et fin). Les Oussouls”, Revue de Musicologie (1923a), 60-70.
- Borrel, Eugène: “La musique turque (Suite)”, Revue de Musicologie (1923b) [doi:10.2307/925512], 26-32.
- Borrel, Eugène: Contribution à la bibiliographie de la musique turque au XXe siècle (1928).
- Borrel, Eugène: “Raouf Yekta Béy. (1871-1935)”, Revue de Musicologie (1935), 64.
- Boulton, Laura: “Turkish Music”, Journal of the International Folk Music Council (1960) [doi:10.2307/835448], 83.
- Bowles, Edmund A. (Edmund Addison): “The impact of Turkish military bands on European court festivals in the 17th and 18th centuries”, Early Music (2006), 533-579.
- Bozkurt, Barıs: “An Automatic Pitch Analysis Method for Turkish Maqam Music”, Journal of New Music Research (2008) [doi:10.1080/09298210802259520], 1-13.
- Braïloiu, Constantin: “Le rythme Aksak”, Revue de Musicologie (1951) [doi:10.2307/926002], 71-108.
- Can, M. C: “Geleneksel T\ürk Sanat M\üziğinde Arel-Ezgi-Uzdilek Ses Sistemi ve Uygulamada Kullanılmayan Bazı Perdeler”, Gazi Eğitim Fak\ültesi Dergisi (2002), 175–81.
- Cantemir, Dimitri: “Kitāb-i ilmü’l mūsīkī ala vechi’l-hurūfāt” (Istanbul, c1700) [Manuscript].
- Cantemir, Dimitrie: The history of the growth and decay of the Othman empire …, Knapton (1735).
- Çelebi, Evliya and Henry George Farmer: Turkish instruments of music in the seventeenth century, Longwood Press (1976).
- Çelebi, Evliya, Orhan Şaik Gökyay, and Topkapı Sarayı Müzesi. Kütüphane: Evliya Çelebi Seyahatnâmesi: Topkapı Sarayı Bağdat 304 yazmasının transkripsiyonu, dizini, Yapı Kredi Yayınları Ltd. Şti. (1999).
- Cemil, Mesut and Unesco: Music in Turkey (1948).
- Çiçek, Kemal, Ercüment Kuran, Nejat Göyünç, and İlber Ortaylı: The Great Ottoman-Turkish Civilisation [sic]: Culture and arts, Yeni Türkiye (2000).
- Clair, Alexandrine St.: “A Forgotten Record of Turkish Exotica”, The Metropolitan Museum of Art Bulletin, New Series (1969) [doi:10.2307/3258361], 411-423.
- Cler, Jérôme: “Pour une théorie de l’aksak”, Revue de Musicologie (1994) [doi:10.2307/947054], 181-210.
- Cler, Jérôme: “Système musical, territoire : sur quelques processus d’imprégnation”, Revue du monde musulman et de la Méditerranée (1995) [doi:10.3406/remmm.1995.2613], 103-113.
- Cler, Jérôme: Musique et musiciens de villages en Turquie méridionale (région d’Acipayam et Cameli, Denizli), Thèse de doctorat (1998).
- Cler, Jérôme: Musiques de Turquie, Actes Sud (2000).
- Cler, Jérôme and Bruno Messina: “Musiques des minorités, musique mineure, tiers-musical”, Cahiers d’ethnomusicologie (2007), 243-271.
- Cooper, David and Kevin Dawe: The Mediterranean in music: critical perspectives, common concerns, cultural differences, Scarecrow Press (2005).
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Section 6 Turkey” (2001a) [url: http://glnd.alexanderstreet.com/View/330532].
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: From Empire to Republic: Vocal Style in Twentieth-Century Turkey” (2001b) [url: http://glnd.alexanderstreet.com/View/330545?printable].
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Alevi Identity and Expressive Culture” (2001c) [url: http://glnd.alexanderstreet.com/View/330553].
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Turkish Song Duel” (2001d) [url: http://glnd.alexanderstreet.com/View/330561].
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Dance and Identity in Turkey” (2001e) [url: http://glnd.alexanderstreet.com/View/330570].
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Section 8 Central Asia” (2001f) [url: http://glnd.alexanderstreet.com/View/330615].
- Danielson, Virginia: “Garland Encyclopedia of World Music: Full Text: Central Asia: Overview” (2001g) [url: http://glnd.alexanderstreet.com/View/330616].
- Degirmenci, K.: “On the pursuit of a nation: The construction of folk and folk music in the founding decades of the Turkish Republic”, International Review of the Aesthetics and Sociology of Music (2006), 47–65.
- Van Deusen, Kira (1946-): Singing story, healing drum : shamans and storytellers of Turkic Siberia (2004).
- Dimitrie Cantemir (Voivode of Moldavia) (last): Divanul, Scriitori Români (1969).
- Dimitrie Cantemir (Voivode of Moldavia) (last) and Nicolas Tindal: The history of the growth and decay of the Othman empire …, J. J., and P. Knapton (1734).
- Dimitrie Cantemir (Voivode of Moldavia) and Yalçın Tura: Kitābu ʻilmi’l-mūsīḳī ʻalā vechi’l-ḥurūfāt, YKY (2001).
- Erdener, Yıldıray: The song contests of Turkish minstrels : improvised poetry sung to traditional music, Milman Parry studies in oral tradition (1995).
- Eren, Güler, Kemal Çiçek, Halil İnalcık, and Cem Oğuz: Osmanlı . 10, Kültür ve sanat (1999).
- Erguner, Ahmed Kudsî: Alla turca-Alla franca : Les enjeux de la musique turque (1990).
- Ergur, Ali and Yiğit Aydin: “Patterns of modernization in Turkish music as indicators of a changing society”, Musicae Scientiae (2006) [doi:10.1177/1029864906010001051], 89 -108.
- Erol, Ayhan: “Associative Structure in the Perception of Music: The Case of Turkish ‘Yanık’(scorched)”, Disiplinlerarası m\üzik araştırmaları dergisi (2007).
- Erol, Ayhan: “Understanding the Diversity of Islamic Identity in Turkey through Popular Music: The Global/Local Nexus”, Social Compass (2011) [doi:10.1177/0037768611406066], 187-202.
- Ertan, Deniz.: “Cycles and Peripheries: An Ottoman Kitâb el Edvâr”, Asian Music (2007) [doi:10.1353/amu.2007.0017], 31-60.
- Fachner, J.: “Wanderer between worlds–Anthropological perspectives on healing rituals and music”, Music Therapy Today (2007), 2.
- Farmer, Henry George: “Arabic Musical Manuscripts in the Bodleian Library”, Journal of the Royal Asiatic Society of Great Britain and Ireland (1925), 639-654.
- Farmer, Henry George: “Percussion and Petticoats”, Music & Letters (1950), 343-345.
- Feldman, Walter: “Cultural Authority and Authenticity in the Turkish Repertoire”, Asian Music (1990) [doi:10.2307/834291], 73-111.
- Feldman, Walter: “Ottoman Sources on the Development of the Taksîm”, Yearbook for Traditional Music (1993) [doi:10.2307/768680], 1-28.
- Feldman, Walter: Music of the Ottoman Court: makam, composition and the early Ottoman instrumental repertoire, VWB-Verlag für Wissenschaft und Bildung (Berlin, 1996).
- Feldman, Walter: “Garland Encyclopedia of World Music: Full Text: Snapshot: Ismail Dede Efendi” [url: http://glnd.alexanderstreet.com/View/330542].
- Feyzioğlu, N.: “M\üzİK MALZEMESİNİN OLUŞUM VE BİÇİMLENMESİNDE MATEMATİĞ’İN ROL\Ü/THE POSITION AND IMPORTANCE OF THE MATHEMATICS IN FORMATION OF THE MUSIC”, G\ÜZEL SANATLAR ENSTİT\ÜS\Ü DERGİSİ/JOURNAL OF INSTITUTE OF FINE ARTS (2010).
- Fonton, Charles (b, Cem (1946-) Behar, and Bibliothèque nationale (France): 18. yüzyılda Türk müziği : Şark musikisi (Avrupa musikisiyle karşılaştırmalı bir deneme), (Pan Yayıncılık ; 5) (1987).
- Fonton, Charles and E. Neubauer: Der Essai sur la musique orientale, Institute for the History of Arabic-Islamic Science at the Johann Wolfgang Goethe University (1999).
- Fracile, Nice: “The ‘Aksak’ Rhythm, a Distinctive Feature of the Balkan Folklore”, Studia Musicologica Academiae Scientiarum Hungaricae (2003), 197-210.
- Garfias, Robert: “Survivals of Turkish Characteristics in Romanian Musica Lautareasca”, Yearbook for Traditional Music (1981) [doi:10.2307/768360], 97-107.
- Gastoué, A.: “Notes sur l’orgue en Orient. A Propos de la Communication de M. M. Raghib”, Revue de Musicologie (1930) [doi:10.2307/926299], 19-21.
- Gluck, Robert J: “eSaz: a non-Western instrument in the context of a live electronic performance system”, Org. Sound (2005) [doi:10.1017/S1355771805000634], 21–29.
- Gokalp, Altan: “Une minorité chîite en Anatolie: les Alevî”, Annales. Histoire, Sciences Sociales (1980), 748-763.
- Greve, Martin (1961-): Die Europäisierung orientalischer Kunstmusik in der Türkei, Europäische Hochschulschriften. Reihe XXXVI, Musikwissenschaft ; Bd. 142 (1995).
- Hammarlund, Anders, Elisabeth Özdalga, and Svenska forskningsinstitutet i Istanbul: Sufism, music and society in Turkey and the Middle East : papers read at a conference held at the Swedish Research Institute in Istanbul, November 27-29, 1997, Transactions – Swedish Research Institute in Istanbul, ISSN 1100-0333 ; 10 (2001).
- Hatay, Mete and Rebecca Bryant: “The Jasmine Scent of Nicosia: Of Returns, Revolutions, and the Longing for Forbidden Pasts”, Journal of Modern Greek Studies (2008) [doi:10.1353/mgs.0.0032], 423-449.
- Hatiboğlu, Ahmet: Besteleriyle Yunus Emre ilâhîleri, Türkiye Diyanet Vakfı yayınları ; no. 111Türkiye Diyanet Vakfı yayınları. Kaynak eserler ; 9 (1993).
- Hickmann, Ellen, Ricardo Eichmann, Anne D Kilmer, and ICTM Study Group on Music Archaeology: Studien zur Musikarchäologie. III : Archäologie früher Klangerzeugung und Tonordnung : Vorträge des 2. Symposiums der Internationalen Studiengruppe Musikarchäologie im Kloster Michaelstein, 17.-23. September 2000 ; Musikarchäologie in der Ägäis und Anatolien : Vorträge des Internationalen Musikarchäologischen Kolloquiums des Deutschen Archäologischen Instituts (Istanbul) in Zusammenarbeit mit der ICTM-Study Group on Music Archaeology und dem Institut Français d’Archéologie (Istanbul), Mimar Sinan Universität, Istanbul, 12.-16. April 1993, Orient-Archäologie, ISSN 1434-162X ; 10 (2000).
- Husmann, Heinrich: “Echos und Makam. nach der Handschrift Leningrad, Öffentliche Bibliothek, gr. 127”, Archiv für Musikwissenschaft (1979) [doi:10.2307/930647], 237-253.
- Islam, Misbah: Decline of Muslim States and Societies, Xlibris Corporation (2008).
- Jackson, Maureen: “The Girl in the Tree: Gender, Istanbul Soundscapes, and Synagogue Song”, Jewish Social Studies (2010), 31-66.
- Jäger, Ralf Martin: Türkische Kunstmusik und ihre handschriftlichen Quellen aus dem 19. Jahrhundert, Schriften zur Musikwissenschaft aus Münster ; Bd. 7 (1996).
- Jansen, William H.: “Turkish Folklore: An Introduction”, The Journal of American Folklore (1961) [doi:10.2307/538258], 354-361.
- Karadeniz, M. Ekrem: Türk musikı̂sinin nazariye ve esasları, Türkiye İş Bankası Kültür Yayınları (1983).
- Karakayali, Nedim: “Two Assemblages of Cultural Transmission: Musicians, Political Actors and Educational Techniques in the Ottoman Empire and Western Europe”, Journal of Historical Sociology (2010) [doi:10.1111/j.1467-6443.2010.01377.x], 343-371.
- Karaomerlioglu, M. Asim: “The Village Institutes Experience in Turkey”, British Journal of Middle Eastern Studies (1998), 47-73.
- Karaosmanoglu, Kemal: Müzik Aritmetigi ve Dizi Kurami – Ders Notlari, Ytü Santas (Istanbul, n. d.).
- Kartomi, Margaret and Andrew D. McCredie: “Introduction: Musical Outcomes of Jewish Migration into Asia via the Northern and Southern Routes c. 1780-c. 1950”, Ethnomusicology Forum (2004), 3-20.
- Katanov, Nikolaj Fedorovič and Anatolij Vasilʹevič Prelovskij: Folʹklor saânskih tûrkov XIX veka : : iz sobraniâ N.F. Katanova, Duhovnoe nasledie narodov Sibiri (2003a).
- Katanov, Nikolaj Fedorovič and Anatolij Vasilʹevič Prelovskij: Folʹklor saânskih tûrkov XIX veka : : iz sobraniâ N.F. Katanova, Duhovnoe nasledie narodov Sibiri (2003b).
- Kentel, Frehat: La Société turque entre totalitarisme et d́émocratie : étude de la transformation des intellectuels révolutionnaires et islamistes, Thèse de doctorat (1989).
- Kitsikis, Dimitris: L’Empire ottoman, Presses universitaires de France (1985).
- Kler, Joseph: “Chants de nomades au pays des Ordos”, Oriens (1959) [doi:10.2307/1580194], 190-197.
- Kolmogorov, A.N.: “The local structure of turbulence in incompressible viscous fluid for very large Reynolds numbers”, In Dokl. Akad. Nauk SSSR (1941), 9–13.
- KUSC, D.: “POSITIVITY OF MUSIC AND RELIGION IN TURKEY1”, Narodna umjetnost (1997), 147.
- Kuttner, Fritz A. and Fredric Lieberman: “Preface [to Perspectives on Asian Music: Essays in Honor of Dr. Laurence E. R. Picken]”, Asian Music (1975).
- Letailleur, Erica, Jérôme Cler, and Université de Paris-Sorbonne: La musique alevie : tradition ou genre (2005).
- Lichtenwanger, William: “The Military Music of the Ottoman Turks”, Bulletin of the American Musicological Society (1948), 55-57.
- Locke, Ralph P.: “Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East”, 19th-Century Music (1998a), 20-53.
- Locke, Ralph P.: “Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East”, 19th-Century Music (1998b), 20-53.
- Magnarella, Paul J., Orhan Turkdogan, Nadia Abu Zahra, et al.: “The Development of Turkish Social Anthropology [and Comments and Reply]”, Current Anthropology (1976), 263-274.
- Malay, Mùrat and Tuğrul Karataş: Anatolian symphonic masterpieces (2008).
- Manoha, Colin, Jérôme Cler, and Université de Paris-Sorbonne: Tabahaniotika : chansons assises, musiques turco-crétoises et mélodies de passage (2009).
- Markoff, Irene: “The Ideology of Musical Practice and the Professional Turkish Folk Musician: Tempering the Creative Impulse”, Asian music (1990), 129–145.
- Martin, Robert and Charles Payne Glen, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1988).
- Martin, Robert and Glen Charles Payne, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1988).
- Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1989a).
- Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1989b).
- Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1989c).
- Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Center for Turkish Music, UMBC Dept. of Music, University of Maryland (Baltimore County, 1990).
- Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Music department, University of Maryland (Baltimore County, 1991).
- Martin, Robert, Jozef Pacholczyk and Karl Signell, eds.: Turkish music quarterly, Music department, University of Maryland (Baltimore County, 1992).
- Martini, Grégoire, Jérôme Cler, and Université de Paris-Sorbonne: Vièles de Turquie : histoire, organologie, techniques, terminologie et culture musicale (2004).
- Matyakubov, O. and H. Powers: “19th Century Khorezmian Tanbur Notation: Fixing Music in an Oral Tradition”, Yearbook for Traditional Music (1990), 29–35.
- Meyer, E.R.: “Turquerie and Eighteenth-Century Music”, Eighteenth-Century Studies (1974), 474–488.
- Migeon, Gaston: “Peintres-voyageurs en Turquie au XVIIIe siècle J.-B. Hilair”, Syria (1924), 254-256.
- Montagu, Jeremy, Armin Suppan, Wolfgang Suppan, et al.: “Military music”, Grove Music Online.
- Myres, John L.: “225. Second Congress of the Turkish Historical Society”, Man (1937), 194-195.
- Nandriş, Grigore: “The Beginnings of Slavonic Culture in the Roumanian Countries”, The Slavonic and East European Review (1946), 160-171.
- Navari, Leonora: The Ottoman World (1998).
- O’Connell, John Morgan: “Fine Art, Fine Music: Controlling Turkish Taste at the Fine Arts Academy in 1926”, Yearbook for Traditional Music (2000) [doi:10.2307/3185245], 117-142.
- O’Connell, John Morgan: “Review: Song Cycle: The Life and Death of the Turkish Gazel: A Review Essay”, Ethnomusicology (2003), pp. 399-414.
- O’Connell, John Morgan: “In the Time of Alaturka: Identifying Difference in Musical Discourse”, Ethnomusicology (2005), 177-205.
- O’Council, John Morgan: “Garland Encyclopedia of World Music: Full Text: Snapshot: Tanburī Cemīl Bey” (2001) [url: http://glnd.alexanderstreet.com/View/330533].
- Obelkevich, Mary Rowen: “Turkish Affect in the Land of the Sun King”, The Musical Quarterly (1977), 367-389.
- Oransay, G.: Die melodische Linie und der Begriff Makam der traditionellen türkischen Kunstmusik vom 15. bis zum 19. Jahrhundert (Ankara, 1966).
- Oransay, Gültekin: Das Tonsystem der türkei-türkischen Kunstmusik (1957).
- Oransay, Gültekin: Von der Türcken dölpischer Music, Südosteuropa-Verl.-Ges. (1962).
- Oransay, Gültekin: Die traditionelle türkische Kunstmusik, Küg-Veröffentlichung (1964a).
- Oransay, Gültekin: Ankaraner Beiträge zur Musikforschung in Erinnerung an Maragah Abdulkadir und Mahmut Ragip Gazimihâl, Küǧ-Veröffentlichung (1964b).
- Oransay, Gültekin: Musiki Tarihi: II.sınıf, YAYKUR Açık Yükseköğretim Dairesi (1976).
- Oransay, Gültekin: Musiki tarihi ve stil bilgisi, Yaygın Yükseköğretim Kurumu,Eğitim Enstitüleri Müzik Bölümü (1977).
- Oransay, Gültekin: Prof. Dr. Gültekin Oransay derlemesi, DD Yayını (1990).
- Özalp, Mehmet Nazmi: Türk mûsikı̂si tarihi, Milli Eğitim Bakanlığı (2000a).
- Özalp, Mehmet Nazmi: Türk mûsikı̂si tarihi, Milli Eğitim Bakanlığı (2000b).
- Özdamar, Mustafa: İslâmbol geleneğinde sivil merasimler ve doğumdan ölüme mûsıkî, (Kandil ; 19) (1997).
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Quelques enregistrements / A few recordings
- Anon.: Musique Soufi. 1, Chant des Derviches de Turquie : la cérémonie du Zikr (1978).
- Anon.: Musique Soufi. 2, Derviches tourneurs de Turquie : la cérémonie des Mevlevî (1981).
- Anon.: Turquie : musique soufi (1987).
- Anon.: Turquie : cérémonie des derviches Kadiri = Turkey : ceremony of the Kadiri dervishes (1989).
- Anon.: Les derviches de Turquie : musique soufi : Moyen-Orient = The Dervishes of Turquey : Sufi music : Middle-East (1994).
- Anon.: Turquie : archives de la musique turque. 2 = Turkey : archives of Turkish music. 2 (1995a).
- Anon.: Turquie : archives de la musique turque. 1 = Turkey : archives of Turkish music. 1 (1995b).
- Canakkaleli, Ibrahim, Fevzi Mizir, and Yusuf Gebzeli: Turkey : the sacred Coran : islamic chants ot he Ottoman Empire (2000).
- Cemirâni, Bijan, Hradcãny, and Buda: Balkanic jazz (2007).
- Çimenli, Fahreddin and Abdi Coskun: Turquie : l’art du tanbur ottoman = Turkey : the art of the Ottoman tanbur (1989).
- En Chordais: Grèce : musique d’Asie mineure et de Constantinople Greece : Music of Asia Minor and Constantinople (2010).
- Erguner, Kudsi: Turquie – Asik : chants d’amour et de sagesse d’Anatolie (1991).
- Erguner, Kudsi and L’ Ensemble de l’Armée de la République Turque: Les janissaires : musique martiale de l’Empire Ottoman = The janissaries (1990).
- Erguner, Kudsi, Suleyman Erguner, and The Erguner Brothers: Turkey : preludes to ceremonies of the whirling dervishes (2000).
- Eroǧlu, Musa, Arif Saǧ, and Henri (19. .- Lecomte: Turquie, musique instrumentale d’Anatolie = Turkey, instrumental music from Anatolia (20XX).
- Gheerbrant, Alain and Annick Le Gal: Turquie : voyages d’Alain Gheerbrant en Anatolie (1956-1957) (1985).
- Goulesco, Lida: Chant folkloriques tziganes (20XX).
- Reinhard, Ursula, Wolf Dietrich, and Kurt Reinhard: Turquie : musiques villageoises d’Anatolie = Turkey : Anatolian village music (1994).
- Sadak, Sami: La cérémonie des derviches de Konya The ceremony of the Konya dervishes (2009).
- Selçuk, Münir Nureddin: Turkish classical song master = Rénovateur du chant classique turc (2002).
- Sissoko, Mama and Buda: Fanfare tsigane de Thrace (200X).
- Tanrıkorur, Çinuçen: Turquie (1986).
- Teboul, Haroun: Roumi : spectacle enregistré au Théâtre Claude Lévi-Strauss le 16 janvier 2010 (2010).
- Uzel, Nezih (1938-. ..) and Kudsi Erguner: Turquie : musique soufie = Turkey : sufi music (2002).
- Uzel, Nezih and Kudsi Erguner: Turquie : musique soufie : ilâhî et nefes (1991).
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