Français Le Volume 1 (N° 1) de NEMO-Online est désormais accessible librement en téléchargement à cette adresse: https://nemo-online.org/wp-content/uploads/2014/11/NEMO-Vol.-1-N°1-130929-V.-1.01-LR.pdf. English NEMO-Online, Volume 1 is now available for free dowloading at: https://nemo-online.org/wp-content/uploads/2014/11/NEMO-Vol.-1-N°1-130929-V.-1.01-LR.pdf.
English Click on this link to go to the payment page for NEMO No. 1 (Vol. 1) at the price of £20.00 for the whole volume (in pdf format). Table of contents: Erik MARCHAND : “Une musique modale de tradition populaire en Occident – Tribune”, NEMO-Online 1 1 |2012-11| p. 5–10. François PICARD : “Back to modality. Musical Modes Revisited”, NEMO-Online 1 1 |2012-11| p. 11–18. Markos SKOULIOS : “Modern theory and notation of Byzantine chanting tradition – A Near Eastern musicological perspective”, NEMO-Online 1 1 |2012-11| p. 19–38. Jacob OLLEY : “Modal diversity in early Ottoman music – The case of makâm Sabâ”, NEMO-Online 1 1 [more…]
English NEMO-Online Vol. 1 No. 1 is available The editorial Board of NEMO-Online is delighted to inform you that the first issue, Vol. 1 No. 1 (November 2012) is now available. It includes contributions of François Picard (France), Erik Marchand (France), Jacob Olley (Great Britain), Rosy Azar Beyhom (Lebanon), Markos Skoulios (Greece), Richard Dumbrill (Great Britain) et Amine Beyhom (Lebanon ; France). The editorial and the summary page are available online. The hard copy (Price = 40 €) will be distributed by Geuthner, France and downloadable from December 2013. Français Sortie de NEMO-Online Vol. 1 No. 1 La rédaction de [more…]
English NEMO-Online No 2 : Contribution theme. Research groups CERMAA, ICONEA and PLM have the pleasure of calling for papers for the second issue of NEMO on the theme of ‘Modality in all its forms’. All papers welcome including Occidental forms of modality and should respect editorial terms and conditions. Papers to be sent to Richard Dumbrill (rdumbrill[[[]]]nemo-online.org) and Amine Beyhom (abeyhom[[[]]]nemo-online.org). Français Thème de NEMO-Online N° 2 Les centres et groupes de recherches CERMAA, ICONEA et PLM ont le plaisir d’annoncer que le deuxième numéro de NEMO sera consacré à “La modalité dans tous ses états” et acceptera les [more…]
(English) We are delighted to inform that the Paris-Sorbonne University hosted research group PLM (Patrimoines et languages Musicaux) is now an associate of ICONEA (University of London) and CERMAA (Beirut) for the editing and the publication of NEMO-Online. We favour our links, internationally, with other research centres for the best enlightenement of ethno- and archaeo-musicology, in excellence. (French) Nous avons le grand plaisir d’annoncer que le groupe de recherche Patrimoine et Langages Musicaux (PLM) de l’Université de Paris-Sorbonne s’est associé aux groupes ICONEA et CERMAA pour l’édition et la publication de NEMO-Online. Nous sommes en faveur d’un élargissement des [more…]
(French) Frédéric Billiet et François Picard, professeurs de musicologie à l’Université de Paris Sorbonne, rejoignent le Comité de rédaction de Nemo-Online : leurs compétences viennent compléter celle des autres membres en apportant des expertises sur, notamment, la musique ancienne et en ethnomusicologie analytique. Frédéric Billiet est le directeur de l’UFR (Unité de Formation et de Recherches) de Musique et Musicologie de l’Université Paris Sorbonne, et François Picard est le directeur de l’équipe de recherche Patrimoines et Langages Musicaux (PLM) au sein de l’université. Nous leur souhaitons la bienvenue. (English) We are delighted to welcome two new members in the [more…]
(French) Nous souhaitons la bienvenue à Ricardo Eichmann (http://www.dainst.org/en/profile/ricardo-eichmann?ft=all), premier directeur de l’Orient-Abteilung du Deutsches Archäologisches Institut (http://www.dainst.org/en/department/orient?ft=all), qui rentre au Comité de Rédaction de NEMO-Online. L’Orient-Abteilung abrite, avec le Department for Ethnomusicology at the Ethnological Museum Berlin (Ethnological Museum Berlin, SMB SPK, Abteilung Musikethnologie, Medien-Technik und Berliner Phonogramm-Archiv), l’International Study Group on Music Archaelogy (http://www.musicarchaeology.org/). (English) We welcome Ricardo Eichmann to the Editorial Board of NEMO. Ricardo Eichmann conducts the Orient-Abteilung of the Deutsches Archäologisches Institut (http://www.dainst.org/en/department/orient?ft=all). The Orient-Abteilung along with the Department for Ethnomusicology at the Ethnological Museum Berlin (Ethnological Museum Berlin, SMB SPK, Abteilung Musikethnologie, Medien-Technik und [more…]
The Modality Bibliography for India has been expanded. Please see https://nemo-online.org/bibliography/modality-bibliography/india for more details.
Editing Guidelines Contributors are informed that they are responsible for the content of their papers. Contributions are welcome in English, German, French and Arabic. Documents will be sent by email to Amine Beyhom, as *.doc or *.rtf compatible as well as in *.pdf. Footnotes will be numbered continuously. Illustration can be BW and colour at 300 dpi or more and must be in *.jpg or *. tif, numbered (“see Fig. X, Pl. Y”), and copyright cleared or authorized. Papers may not exceed 30 pages with an average of 1800 characters per page including inter spaces ; exceptions for the volume of [more…]
Theme: ‘Questioning Modality’ – “La modalité en question” The theme for the forthcoming issue of NEMO-Online (VOL. 1) is ”Questioning Modality’ or, “La modalité en question“. Contributions welcome in English, German, French and Arabic. Please email by end of November 2011 to Richard Dumbrill (rdumbrill[[[]]]nemo-online.org) and Amine Beyhom (abeyhom[[[]]]nemo-online.org). Click here for guidelines Please read the discussion below, in English or in French, as well as recent postings (French), referencing guidelines. Please download the transliteration guidelines for the Arabic language prior to sending your paper. Discussion (English) : Winnington-Ingram’s definition (Mode in Ancient Greek Music, Cambridge University Press 1936) is a classic: [more…]