Volume 4 – Nos. 6&7 (2017-2018)

NEMO-Online Vol. 4 : (all pdf articles in this volume are bookmarked for titles, subtitles and figures / tous les articles au format pdf de ce volume contiennent des marque-pages correspondant aux titres, sous-titres et figures)

Editor’s letter / Éditorial / كلمة الناشرين : Evolution, problems and alternate propositions for musicology and ethnomusicology / Évolution, problèmes et propositions alternatives pour la musicologie et l’ethnomusicologie / التطوّر، المشاكل والحلول البديلة لعلم الموسيقى (موسيقولوجيا) وعلم الموسيقى الإثنية (الإتنوموسيقولوجيا), Near Eastern Musicology Online 4 |2016-11| p. iii–xi.

NEMO-Online No. 6 (Vol. 4)

• Amine Beyhom : “A Hypothesis for the Elaboration of Heptatonic Scales,” Near Eastern Musicology Online 4 6 |2017-05| p. 5–90.
  • Power Point Show including audio examples for Scales with limited transposition
  • Appendix I: Complete database – quarter-tone model with reduced alphabet of intervals
  • Appendix J: Generation of systems with the extended alphabet from 2 to 24 quarter-tones
  • Appendix K: Generation of systems with 17^ths of the octave, full alphabet
• Richard Dumbrill : “The Truth about Babylonian Music,” Near Eastern Musicology Online 4 6 |2017-08| p. 91–121.
  • Mixed score (Tonogram reproduction of the intonations in parallel with the score) of Hurrian song H6 (Richard Dumbrill-Amine Beyhom-Rosy Azar Beyhom) – pdf
  • Midi reproduction of Hurrian song H6 including intonations (Richard Dumbrill-Amine Beyhom-Rosy Azar Beyhom) – mp3
  • Recording of Hurrian song H6 with singer Lara Jokhadar (Richard Dumbrill-Amine Beyhom-Rosy Azar Beyhom) – mp3
• Bruno Deschênes : “A preliminary approach to the analysis of honkyoku, the solo repertoire of the Japanese shakuhachi,” Near Eastern Musicology Online 4 6 |2017-08| p. 123–143.
  • Daiwa gaku (First analyzed song – By Bruno Deschênes) – mp3
  • Shika no tone (Second analyzed song – By the Ensemble Matsu Také with Michel Zenchiku Dubeau) – mp3

NEMO-Online No. 7 (Vol. 4)

• Amine Beyhom : “MAT for the VIAMAP – Maqām Analysis Tools for the Video-Animated Music Analysis Project,” Near Eastern Musicology Online 4 7 |2018-11| p. 145–256.
  • Additional material:
    • Power Point Show proposing various graphic analyses
    • 41 video-analyses of various songs, all available on the CERMAA Channel (https://www.youtube.com/channel/UCMkvejmjkX181SR-zXfZsbw/videos) and including:
      • Video-analysis of Hurrian Song no. 6 adapted by Richard Dumbrill/Amine Beyhom/Rosy Beyhom and performed by Lara Jokhadar (also available on the CERMAA Channel)
      • Video-analyses of Byzantine chants (http://foredofico.org/CERMAA/analyses/byzantine-chant):
        • Kyrie Ekekraxa by Petros Byzantios (20 video-analyses including half-tempo analyses)
        • Axion Estin by Anonymous (14 video-analyses including template and half-tempo analyses)
      • Video-analyses of Arabian Maqām music (http://foredofico.org/CERMAA/analyses/maqam-analysis):
        • Seven Maqāmāt by reciter Muḥammad al-Ghazālī (with a half-tempo version)
        • Ahlan bi-Ghazālin performed by sheikh ʿAlī Maḥmūd (with a half-tempo version)
      • One video-analysis of a Breton song (from Brittany in France): http://foredofico.org/CERMAA/analyses/breton-music):
        • Ar bern plouz (traditional) performed by Breton singer Manu Kerjean (with a third-tempo version)

Volume 4 Nos. 6&7 (2017-2018). (pdf) (print)